[identity profile] byslantedlight.livejournal.com posting in [community profile] ci5hq
01 Cover paintedangels-small At last!

Painted Angels by Angelfish.
Cover art by [livejournal.com profile] firlefanzine

Chapter Five


Chapter Five

There has been a bomb explosion, and like the other emergency services, Bodie and Doyle, now working together as a team, responded. On arrival, however, Doyle remained by the car, too scared to go any further, while Bodie ran straight into the cloud of smoke to help.

Eventually Doyle screws up his courage and joins Bodie, who is assessing what seems to be a detonator. Doyle recognises it as a specific Irish terrorist group, and Bodie immediately knows who he's talking about. They realise that there's a second device nearby, ready to go off when the emergency services have arrived. They find it, and Doyle uses his penknife to cut the wires - a mad guess between red or blue, because it could be either - and saves the situation.

Even as they're laughing in relief, however, one of the first bomb's victims staggers into them and collapses. They're badly burned and blinded, and asking for Richard. Bodie recoils but Doyle pretends to be Richard as comfort as the man dies in his arms.

The next thing Doyle knows is that he's sitting on a wall outside a church with Bodie, though he can't remember getting there. Bodie is rubbing his back, then "tangles... fingers into his hair, carressing" and explains that the first time in such a situation is the worst, and he'll be okay. Doyle points out that he doesn't ever want to be "okay" with this situation, and begins to feel guilty about not having been able to stop it. He knows London so well, he should have seen some sign. Bodie rejects this - "Jesus Christ, Doyle. You'll sink both of us."

Doyle realises he's been in shock, recovers, and just as he's getting up spots a priest helping the victims. He's not impressed - "Oh great... God's here." Bodie's puzzled by this, and Doyle realises that the priest is giving first aid, not the last rites. As he watches the priest, however, and then hears his voice, Doyle realises that he's familiar. ""Gabriel. Gabe!" and begins to walk into the crowd."

So - what did you think?

Date: 2019-04-27 11:49 am (UTC)
From: [identity profile] gilda-elise.livejournal.com
I couldn't have said it better. I keep vacillating between liking and not liking the story, mainly because I'm not enthralled with her portrayal of Doyle. It's too much in the old "fragile flower" mode. And, once again, Bodie is perfect. First, he heals at an amazing rate, now he knows no fear.

But I can't say that I didn't enjoy the chapter, I suppose because I found the plot exciting. I wasn't sure if she was talking about an actual bombing or not, though I imagined she was (what a thing to make up!) Anyway, I do so hope her portrayal of Doyle gets more into line with the Doyle we saw in the episodes.

Date: 2019-04-27 12:13 pm (UTC)
ext_1241: (bob's bath)
From: [identity profile] jat-sapphire.livejournal.com
Jeez, all that. But I loved the bomb-defusing scene. I could really see it in my mind, and the banter and trust there was so recognizable. I love that Doyle cut the other line and that it turned out to be right without some sort of defensive display from Bodie. (Still wondering where all that damage went, though.) I like the structure of the chapter, and the descriptions are great. And there's Gabe again, and a chapter break that really makes me want to read on.

I just ... I feel as though a storyline that means "life has nearly broken both of them but they save each other" and one that means "they're already survivors, each in his own way, and all they need is to respect and trust each other" are both perfectly plausible, but they do not mesh. Then the writer ends up slicing and mixing them up, and I'm getting whiplash here. Plus the "Bodie actually IS perfect" subplot doesn't help either storyline.

Date: 2019-04-27 09:40 pm (UTC)
ext_1241: (bob's bath)
From: [identity profile] jat-sapphire.livejournal.com
I think those two versions of Bodie and Doyle COULD mesh, but they don't. Maybe because Bodie, for instance, has coping strategies that are all over the map. Needing to control, being a perfectionist, knowing everything he can and then figuring no other knowledge is worthwhile, okay, but killing prisoners while interrogating them, dumping fellow agents in it to preserve his own advantage, toying with the consent of his friend with benefits--nope, I don't see how Doyle can help save or be saved by them. Another bit that feels like a revision fix is that when Doyle just rides Bodie's moods, then he's okay, which also seems to work for about a day and then not.

I want Bodie to get better, but I want to understand better how that is happening. There are parts of this story when I feel like he packs up his baggage and ignores it for a while, and that doesn't feel true to me.

I'm anxious to get the Gabe plot resolved at least somewhat, but I can't see how that really furthers the B/D part either. I know we're still in the middle, but I guess I don't want to think the problems in forming a real partnership are unsurmountable.

Date: 2019-04-28 12:53 am (UTC)
ext_1241: (bob's bath)
From: [identity profile] jat-sapphire.livejournal.com
Well, we'll see as the novel goes on. I hope it does all tie up well.

Date: 2019-04-27 02:38 pm (UTC)
From: [identity profile] firlefanzine.livejournal.com
"...Doyle with his knees turned to water, clutching at the car door..." was - as you can probably imagine - no-no-no-no-NO!"

LOL! Exactly my thoughts!

"...And gaah for super-Bodie (in comparison) running straight in while Doyle cowers."

That's the way professionals should act in such a situation. In any case, showing any feelings AFTER such an operation.

No, I have no problem with the Bodie here. But that's not the Doyle we know! And it's not just his hesitation at the beginning, it's also all this musing about heaven and hell - at this wrong moment, when there is real hell around him.

"...tough one for a Catholic, taught from birth that God is up there and mankind down here, hopelessly and forever separate. He has put God back where He should be -- right in his own human breast, with all the joy and pain and agonising responsibility that entails. There is need for him to enter hell..."

And so on..., and so on...

What follows is a superb bomb disposal scene. *bows*

And then again, as you mentioned it, the scenes outside the Brunswick church, and the moment he sees Gabe. All his professionalism is forgotten, and he acts like the heroine in a regency novel.
Hello? Where is my Doyle, please????

Anyway - up until now, I still enjoy the powerfull writing!
...it reminds me a bit of reading Kate MacLean - you don't like these guys, you don't even know them - but you can't stop reading! ;-)


Date: 2019-04-27 04:31 pm (UTC)
From: [identity profile] siskiou.livejournal.com
I was thinking Kate MacLean, too, with the narrow point of view.
We are inside Doyle's head, but have no idea what Bodie is really feeling, only getting to see his perfect behavior under pressure.

I'm trying to tell myself that Doyle's hesitation is really just a split second, before going in like he is trained to do.
In the episodes, Doyle does what needs to be done, and saves any doubts and feelings for later.
He really doesn't display that kind of behavior (though we aren't mind readers, and Bodie has said he is scared all the time, for example, but we don't really see that from his actions)
So conceivably, they could both be scared to death, but in this story, Doyle is always the one needing support from a Bodie who knows it all, and has so much more experience.

Date: 2019-04-28 10:32 am (UTC)
From: [identity profile] firlefanzine.livejournal.com
"...and the moment he sees Gabe. All his professionalism is forgotten, and he acts like the heroine in a regency novel.
...As long as he doesn't just vanish from the job entirely, I'm okay with this bit..."


But he does! He could have come back later, after the event, to look for Gabe. Now that he knows where he probably works. But no! Without thinking he "...and begins to walk into the crowd."
That's a very stupid thing to do at that moment!

"...Ah, now we disagree over Kate MacLean too, I seem to remember... I adore her Pros stories!"

Well, then we should put her on the list for the next Novel Read-Along! :-)

Date: 2019-04-28 02:18 pm (UTC)
From: [identity profile] firlefanzine.livejournal.com
"Why?! Why is it "stupid"?"

It is absolutely nonprofessional. It's a very critical situation, and every helping hand is needed - and this CI5 man walks away to follow some ghost from his past...

"...but he has just seen someone who's absolutely tied up with a major trauma in his life. I don't think it's a conscious decision on Doyle's part at all,... "

Oh, come on! Even worse! He's not some butcher or school teacher, or whatever. If he can't handle his past - at such moments -, he's in the wrong job!

And I'd like to see Cowley's reaction if he knew! ;-)

Date: 2019-04-28 04:35 pm (UTC)
From: [identity profile] firlefanzine.livejournal.com
Stupid! Stupid! Stupid! :-P

Date: 2019-04-28 07:55 pm (UTC)
From: [identity profile] shooting2kill.livejournal.com
Stupid! Stupid! Stupid

I think I know that song!

Stupid Cupid you're a real mean guy
I'd like to clip your wings so you can't fly

Date: 2019-04-28 08:04 pm (UTC)
From: [identity profile] firlefanzine.livejournal.com
Hehe! I never heard that song!
But not bad! :-)

Date: 2019-04-28 08:30 pm (UTC)
From: [identity profile] shooting2kill.livejournal.com
I think it was sung by an American singer, Connie Francis, in the 1950s.

Date: 2019-04-28 08:37 pm (UTC)
From: [identity profile] macklingirl.livejournal.com
Here you go Stupid Cupid (https://youtu.be/2kJA8v577W8) by Connie Francis

I hope you can see it too.

Date: 2019-04-28 08:52 pm (UTC)
From: [identity profile] shooting2kill.livejournal.com
That's the one! Thank you.

Date: 2019-04-27 12:33 pm (UTC)
From: [identity profile] livejournal.livejournal.com
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Learn more about LiveJournal Ratings in FAQ (https://www.dreamwidth.org/support/faqbrowse?faqid=303).

Date: 2019-04-27 04:41 pm (UTC)
From: [identity profile] macklingirl.livejournal.com
I must admit with the Doyle she describes I was thrown out of the story and had to fight to get in again. I think he might be shocked for two or maybe three seconds when he gets there at the moment the bomb blow up, but not when he arrives at a bomb field. At that moment he knows what to expect and his training would rule his body and mind. The knees like water might come afterwards, when the adrenalin flow is ebbing down.

And Bodie the Super-Hero again, who jumps out of the car and into the fiasko without thinking or hesitation. But at the other hand Bodie isn't able to comfort a dying man, which Doyle can do without thinking about it? That doesn't fit for me, even if Doyle's reaction is the reaction I would expect from him.

I know from first hand experience that your brain stops telling you what to do when there is a situation with hurt people. You don't think or hesitate, you're going to help. The shock comes later, so it was ok that Doyle is sitting next Brunswick church without knowing how he got there. That was very realistic.

What doesn't sound right to me is his behavior when he sees Gabe or a man he thinks is Gabe. His behavior reminds me of a Barbara Cartland heroine. Blah.

Date: 2019-04-27 09:22 pm (UTC)
From: [identity profile] macklingirl.livejournal.com
I think I shoulde phrase the part about Doyle giving comfort to the dying man in other words. I think it is (like you said) more normal for Doyle to give comfort than for Bodie. But it doesn't fit into the super-hero-image the author is creating here for Bodie. Because if he were such a super-hero it should be no problem for him to react in such a way and not in nearly pulling his gun.

We seem to get Doyle's pov when he's feeling weak, and Bodie's pov when he's feeling strong, and it makes me feel as if it's more unbalanced than sometimes it is, I think...
Well, I always thought that it could be me not beeing a native speaker that made it difficult for me with the changes in the pov, so I tried to ignore it. But I think you're right, that might be my main problem too.

Hmmn - Firlefanzine said that too, but I didn't actually have a problem with the end of the chapter like that... It's perhaps the one moment when he isn't swooning! *g*
I just don't think that he would walk away like a girl seeking for the knight in shining armor only because he hears a voice he remembers. For me he is to much a professional and he knows there is more to do. He isn't swooning, but he doesn't react like the Doyle I know from the eps. The Doyle from the eps would do his job and after all he could do is done would go to the church to look if the priest is really Gabe.


Date: 2019-04-28 08:40 pm (UTC)
From: [identity profile] macklingirl.livejournal.com
But I really don't understand how he could be so sure that it is Gabe. He didn't see him for a lot of years and to be sure that it is his ex-lover only because he is a darker man whose voice sounds familiar is something that don't work for me.

Date: 2019-04-27 06:21 pm (UTC)
From: [identity profile] shooting2kill.livejournal.com
When I was reading this chapter a few days ago I actually smiled at the bit about Doyle’s knees turning to water as I knew it would irritate people (and quite rightly so)! And what’s with all the vomiting that goes on in some stories? Do people really vomit *that* easily? In front of other people? But I did enjoy this chapter, apart from the occasional (and puzzling) dodgy characterisations, there’s just something about the writer’s style that I really like - the general tone? Or maybe it’s the use of the present tense which seems to add a sense of immediacy and intimacy to the scene? Including me and enabling me to feel I’m observing them at close quarters, if not actually participating? I don’t know… I seem to find it more difficult to work out why I like a story rather than why I don’t.

Yes, he redeems himself afterwards and is more the Doyle that I know - but why in the world set him up like that? It makes no sense to me

I agree. I think the author’s characterisation of Doyle is strange… why - what is the point - does she persist in making him look such a wimp? And, as you say, denying him his experience of 70s London (in particular) under prolonged IRA threat? Is it just to make Bodie look better? She obviously *does* know the lads well because at other times in the same chapter she gets it spot on, e.g. with the choosing which wires bit, it’s so Doyle and so them that Doyle would do the opposite of what Bodie suggests!

But aside from what I've nitpicked, I really did enjoy this chapter (especially Bodie's hands tangled in Doyle's hair) for the tension, action, Bodie being Bodie and I welcomed the return of Gabriel, not just because it gave more point to the Prologue, but because I'm looking forward to Bodie's response!
Edited Date: 2019-04-27 09:12 pm (UTC)

Date: 2019-04-28 07:52 pm (UTC)
From: [identity profile] shooting2kill.livejournal.com
But not from our lads, who are both trained and experienced as well! They might have vomited the first time they'd seen something awful, but I reckon that would have been a long time ago for both of them...

Yup, I think that's how I view them as well.

Date: 2019-04-27 09:28 pm (UTC)
From: [identity profile] macklingirl.livejournal.com
And what’s with all the vomiting that goes on in some stories? Do people really vomit *that* easily? In front of other people?
Yes, sometimes they do. Even professionals. For example my mother. She was a nurse and she fainted when she was to observe an operation and she told me that she vomited very easily when she smelled someones vomit. That was one of the reasons why she had to use a face mask with two or three drops of peppermint oil.

Date: 2019-04-28 04:34 pm (UTC)
From: [identity profile] shooting2kill.livejournal.com
I suppose different people have different triggers in these situations, but I think it's possible, once you've overcome your initial shock, to become more used to things. And I do think certain writers exaggerate the speed with which hardened agents start vomiting all over the place!

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