[identity profile] byslantedlight.livejournal.com posting in [community profile] ci5hq
01 Cover paintedangels-small At last!

Painted Angels by Angelfish.
Cover art by [livejournal.com profile] firlefanzine

Chapter Five


Chapter Five

There has been a bomb explosion, and like the other emergency services, Bodie and Doyle, now working together as a team, responded. On arrival, however, Doyle remained by the car, too scared to go any further, while Bodie ran straight into the cloud of smoke to help.

Eventually Doyle screws up his courage and joins Bodie, who is assessing what seems to be a detonator. Doyle recognises it as a specific Irish terrorist group, and Bodie immediately knows who he's talking about. They realise that there's a second device nearby, ready to go off when the emergency services have arrived. They find it, and Doyle uses his penknife to cut the wires - a mad guess between red or blue, because it could be either - and saves the situation.

Even as they're laughing in relief, however, one of the first bomb's victims staggers into them and collapses. They're badly burned and blinded, and asking for Richard. Bodie recoils but Doyle pretends to be Richard as comfort as the man dies in his arms.

The next thing Doyle knows is that he's sitting on a wall outside a church with Bodie, though he can't remember getting there. Bodie is rubbing his back, then "tangles... fingers into his hair, carressing" and explains that the first time in such a situation is the worst, and he'll be okay. Doyle points out that he doesn't ever want to be "okay" with this situation, and begins to feel guilty about not having been able to stop it. He knows London so well, he should have seen some sign. Bodie rejects this - "Jesus Christ, Doyle. You'll sink both of us."

Doyle realises he's been in shock, recovers, and just as he's getting up spots a priest helping the victims. He's not impressed - "Oh great... God's here." Bodie's puzzled by this, and Doyle realises that the priest is giving first aid, not the last rites. As he watches the priest, however, and then hears his voice, Doyle realises that he's familiar. ""Gabriel. Gabe!" and begins to walk into the crowd."

So - what did you think?

Date: 2019-04-27 11:49 am (UTC)
From: [identity profile] gilda-elise.livejournal.com
I couldn't have said it better. I keep vacillating between liking and not liking the story, mainly because I'm not enthralled with her portrayal of Doyle. It's too much in the old "fragile flower" mode. And, once again, Bodie is perfect. First, he heals at an amazing rate, now he knows no fear.

But I can't say that I didn't enjoy the chapter, I suppose because I found the plot exciting. I wasn't sure if she was talking about an actual bombing or not, though I imagined she was (what a thing to make up!) Anyway, I do so hope her portrayal of Doyle gets more into line with the Doyle we saw in the episodes.

Date: 2019-04-27 12:13 pm (UTC)
ext_1241: (bob's bath)
From: [identity profile] jat-sapphire.livejournal.com
Jeez, all that. But I loved the bomb-defusing scene. I could really see it in my mind, and the banter and trust there was so recognizable. I love that Doyle cut the other line and that it turned out to be right without some sort of defensive display from Bodie. (Still wondering where all that damage went, though.) I like the structure of the chapter, and the descriptions are great. And there's Gabe again, and a chapter break that really makes me want to read on.

I just ... I feel as though a storyline that means "life has nearly broken both of them but they save each other" and one that means "they're already survivors, each in his own way, and all they need is to respect and trust each other" are both perfectly plausible, but they do not mesh. Then the writer ends up slicing and mixing them up, and I'm getting whiplash here. Plus the "Bodie actually IS perfect" subplot doesn't help either storyline.

Date: 2019-04-27 09:40 pm (UTC)
ext_1241: (bob's bath)
From: [identity profile] jat-sapphire.livejournal.com
I think those two versions of Bodie and Doyle COULD mesh, but they don't. Maybe because Bodie, for instance, has coping strategies that are all over the map. Needing to control, being a perfectionist, knowing everything he can and then figuring no other knowledge is worthwhile, okay, but killing prisoners while interrogating them, dumping fellow agents in it to preserve his own advantage, toying with the consent of his friend with benefits--nope, I don't see how Doyle can help save or be saved by them. Another bit that feels like a revision fix is that when Doyle just rides Bodie's moods, then he's okay, which also seems to work for about a day and then not.

I want Bodie to get better, but I want to understand better how that is happening. There are parts of this story when I feel like he packs up his baggage and ignores it for a while, and that doesn't feel true to me.

I'm anxious to get the Gabe plot resolved at least somewhat, but I can't see how that really furthers the B/D part either. I know we're still in the middle, but I guess I don't want to think the problems in forming a real partnership are unsurmountable.

Date: 2019-04-28 12:53 am (UTC)
ext_1241: (bob's bath)
From: [identity profile] jat-sapphire.livejournal.com
Well, we'll see as the novel goes on. I hope it does all tie up well.

Date: 2019-04-27 02:38 pm (UTC)
From: [identity profile] firlefanzine.livejournal.com
"...Doyle with his knees turned to water, clutching at the car door..." was - as you can probably imagine - no-no-no-no-NO!"

LOL! Exactly my thoughts!

"...And gaah for super-Bodie (in comparison) running straight in while Doyle cowers."

That's the way professionals should act in such a situation. In any case, showing any feelings AFTER such an operation.

No, I have no problem with the Bodie here. But that's not the Doyle we know! And it's not just his hesitation at the beginning, it's also all this musing about heaven and hell - at this wrong moment, when there is real hell around him.

"...tough one for a Catholic, taught from birth that God is up there and mankind down here, hopelessly and forever separate. He has put God back where He should be -- right in his own human breast, with all the joy and pain and agonising responsibility that entails. There is need for him to enter hell..."

And so on..., and so on...

What follows is a superb bomb disposal scene. *bows*

And then again, as you mentioned it, the scenes outside the Brunswick church, and the moment he sees Gabe. All his professionalism is forgotten, and he acts like the heroine in a regency novel.
Hello? Where is my Doyle, please????

Anyway - up until now, I still enjoy the powerfull writing!
...it reminds me a bit of reading Kate MacLean - you don't like these guys, you don't even know them - but you can't stop reading! ;-)


Date: 2019-04-27 04:31 pm (UTC)
From: [identity profile] siskiou.livejournal.com
I was thinking Kate MacLean, too, with the narrow point of view.
We are inside Doyle's head, but have no idea what Bodie is really feeling, only getting to see his perfect behavior under pressure.

I'm trying to tell myself that Doyle's hesitation is really just a split second, before going in like he is trained to do.
In the episodes, Doyle does what needs to be done, and saves any doubts and feelings for later.
He really doesn't display that kind of behavior (though we aren't mind readers, and Bodie has said he is scared all the time, for example, but we don't really see that from his actions)
So conceivably, they could both be scared to death, but in this story, Doyle is always the one needing support from a Bodie who knows it all, and has so much more experience.

Date: 2019-04-28 10:32 am (UTC)
From: [identity profile] firlefanzine.livejournal.com
"...and the moment he sees Gabe. All his professionalism is forgotten, and he acts like the heroine in a regency novel.
...As long as he doesn't just vanish from the job entirely, I'm okay with this bit..."


But he does! He could have come back later, after the event, to look for Gabe. Now that he knows where he probably works. But no! Without thinking he "...and begins to walk into the crowd."
That's a very stupid thing to do at that moment!

"...Ah, now we disagree over Kate MacLean too, I seem to remember... I adore her Pros stories!"

Well, then we should put her on the list for the next Novel Read-Along! :-)

Date: 2019-04-28 02:18 pm (UTC)
From: [identity profile] firlefanzine.livejournal.com
"Why?! Why is it "stupid"?"

It is absolutely nonprofessional. It's a very critical situation, and every helping hand is needed - and this CI5 man walks away to follow some ghost from his past...

"...but he has just seen someone who's absolutely tied up with a major trauma in his life. I don't think it's a conscious decision on Doyle's part at all,... "

Oh, come on! Even worse! He's not some butcher or school teacher, or whatever. If he can't handle his past - at such moments -, he's in the wrong job!

And I'd like to see Cowley's reaction if he knew! ;-)

Date: 2019-04-28 04:35 pm (UTC)
From: [identity profile] firlefanzine.livejournal.com
Stupid! Stupid! Stupid! :-P

Date: 2019-04-28 07:55 pm (UTC)
From: [identity profile] shooting2kill.livejournal.com
Stupid! Stupid! Stupid

I think I know that song!

Stupid Cupid you're a real mean guy
I'd like to clip your wings so you can't fly

Date: 2019-04-28 08:04 pm (UTC)
From: [identity profile] firlefanzine.livejournal.com
Hehe! I never heard that song!
But not bad! :-)

Date: 2019-04-28 08:30 pm (UTC)
From: [identity profile] shooting2kill.livejournal.com
I think it was sung by an American singer, Connie Francis, in the 1950s.

Date: 2019-04-28 08:37 pm (UTC)
From: [identity profile] macklingirl.livejournal.com
Here you go Stupid Cupid (https://youtu.be/2kJA8v577W8) by Connie Francis

I hope you can see it too.

Date: 2019-04-28 08:52 pm (UTC)
From: [identity profile] shooting2kill.livejournal.com
That's the one! Thank you.

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