Fly on the Wall
by Lezlie Conch
http://www.thecircuitarchive.com/tca/archive/5/flyon.html
Originally in the circuit zine, Up Against the Wall, 1980s. Currently in Pros Theme Zine II
I will probably go on for far too long because I love this story. I like everything about it. It unfolds nicely, giving us bits and pieces as we go. Great pacing, I think.
It starts with a group of agents on a stakeout, trying to catch a man Cowley wants. Apparently, the mark likes men so Doyle's sent out on the street to drawn him in.
First, we're shown Bodie, Anson and McCabe shut up in a room watching the street. Then we discover why gradually, from Bodie's POV, with his obvious sarky tone:
The focus of all this attention was standing in the wash of yellow streetlight, leaning against a red brick wall, negligently displaying what was up for grabs--for the right price. The faded, contour hugging jeans left no doubt as to what was on offer.
A natural.
Doyle was a natural all right, but not the way McCabe meant. Doyle would have been equally convincing as an Albanian sheep- herder or a Catholic seminary student. He was good at his job, a concept too complicated for their fellow agents.
Tasteless jokes and anonymously captioned photos on the ops board would be the inevitable result. Life would be so much easier if Doyle was a cack-handed as McCabe who couldn't go under the covers of his own bed without looking conspicuous.
The boys are delightful. They banter, jab and snap at each other, all in good humour. When it's time to turn over the watch, the new guy comes in and Bodie ponders him:
Murphy was an unknown quantity, too new for Bodie to know if the middle-class affectations were real--in which case he could continue ignoring him with a clear conscience--or if they merely masked the mild psychosis that guaranteed social success with CI5.
Something about the idea that a 'mild psychosis" guarantees social success in CI5 makes me giggle. I'm already sucked into the story, loving the easy way she handles each character.
Instead of heading out for the night after McCabe's turn at pretending to be Doyle's trick is played out, the lads share a bottle. That leads to boasting, then to "the bet". Boys will be boys, and they expect that they're irresistible to one and all. McCabe puffs out enough so that Murphy tosses out a wager: McCabe will bed whomever Murphy names. The lads all toss lots of cash onto the table and Murphy sets the rules:
McCabe tucked the comb back in his pocket. "I accept the challenge. So who's the lucky girl?"
Murphy paused theatrically. "The lucky person is Ray Doyle."
Bodie's head whipped around so fast he almost gave himself whiplash. McCabe was sputtering his indignation, Anson was laughing his head off, but Murphy was ignoring both of them.
Bodie found himself the recipient of a cool, blue appraisal. What was Murphy expecting him to do? Rush to protect Doyle's honor? As if Ray Doyle needed help cutting anybody off at the knees an inch at a time--from the neck down.
But Murphy was still looking at him, as if waiting for something. Finally, Bodie just shrugged and chuckled at McCabe's furious blustering.
The banter in this piece is priceless. The author has a gift for glib, and every phrase is what I'd expect from each man:
Bodie rolled his eyes. "Doyle saying no doesn't worry me. Who Cowley will lumber me with when Doyle gets suspended for putting McCabe's dick in a pencil sharpener does."
Really fun stuff. I can clearly picture the lads sitting around a ratty table, a pile of 20 quid bills in front of them, empty glasses at their elbows. Such good writing. I'm tickled silly.
So now the set up is on. And to keep McCabe honest, it's decided that he'll have a wire on so that he doesn't tip Doyle off to the bet. Lucas is summoned to bring gear:
The three of them drifted back to the table. The room stayed quiet until Lucas' aggrieved arrival.
Anson quickly explained the situation. Since it had everything necessary for ghoulish bystanders--a reckless wager, a large sum of money, and best of all, complete humiliation for some unfortunate soul--his cooperation was easily gained.
"It's a no lose situation," Lucas said gleefully and tossed a twenty onto Murphy's pile.
So before Doyle calls it a night, he has time to "service" one last customer: McCabe.
"Testing...testing. One two, unbuckle my shoe. Three four, on the floor. Five six, suck my dick. Seven eight...seven eight...seven...oh fuck it." McCabe abandoned his future as a starving poet. "Doyle is looking particularly trashy this evening. Lucky for him he could wear his regular clothes on the job."
Laughter surrounded Bodie, but he kept an almost straight face. After all, the tart in question was his partner.
I swear, this writer has the best lines. I can't help but laugh through the entire story. Bodie's keeping his cool, even as he's irritated that the boys think Doyle's really up for a bit of man on man lovin'. Turns out that McCabe is woefully awful at picking up Doyle. He returns shame-faced at his failure:
Lucas waved a dismissive hand. "You froze. Stood there like a shop dummy, then just blurted it out. Christ, Cowley would do smoother than that, and the last time he chatted up anybody was VE Day."
So the bet is put on hold while the shift changes. Bodie gets waylaid by Cowley and taken to Paris for two days. When he gets back on the op, he's shocked at his discovery:
"Get out of the way, Bodie, you're spoiling my aim." Bodie identified the speaker as Donaldson--what was he doing here? He stepped aside as a second dart flew dangerously close and bumped into Miller and Lake who were squeezed into a corner playing Mastermind around Murphy's little camp table. Donaldson brushed past him, yanked two darts from the board and several from the wall, stalked across the room and thrust them, point first, at Stuart.
Around the table, Anson, McCabe, and Jax hunched over a poker game, oblivious to the polka music screeching from a portable radio buried under the mound of crushed takeaway containers and empty beer bottles that littered the rickety coffee table and the floor around it. A bouquet of half-dead flowers topped the pile like a centerpiece from a Hammer horror.
"Bodie!" Anson waved him in. "Help yourself to some nosh. Stevens and Pruitt went for more beer."
Whilst Bodie was gone, the entire squad, it seems, is now in on the even bigger bet, which has grown to almost 300 quid. The first person to bed Doyle wins the money.
And the bet's expanded to "yes" and "no". Will he or wont he bed a bloke? Doyle's been woed while Bodie was away. He's been given flowers and candy, but so far, he's resisted. Bodie is furious! LOL! And there's a secondary list of who's betting a sum regarding who Doyle will kill first as well:
"They're in on the 'who will Doyle kill' pool. This is where most of the action is. The winners will split the proceeds with the victim."
"I can't lose," McCabe informed him smugly. "If I get Doyle to say yes, I get 88 quid. But if he attacks me, I'll still get 65 quid. Not bad, eh?"
Things are quiet back at CI5 HQ, which gave everybody a chance to be in on the big bet. And Bodie wonders when Doyle will blame it all on him, and kill him for sure. He muscles the binoculars off one of the boys:
What a difference two days made.
The care-free siren was gone, replaced by a wary, cornered panther with--Bodie zoomed in--a definite facial tic. Doyle's shirt, usually open to the navel, was done up to the last button, and while the jeans were still tight, the goodies were now discreetly covered by shirt tails.
Murphy is sent back to the stake out yet again, with his tail between his legs after Doyle almost beans him with the bottle of cologne Murph tried to give him as a gift. He's all smug smiles until he sees that Bodie's returned. He high tails it to the other side of the room before Bodie rips him a new one. We realise that of all the attempts, Murphy's are true. He does want Doyle, not the money.
The guys figure that they've all had a try at Doyle's virtue and have failed, except for one person: Bodie:
McCabe nudged Anson, looked significantly in Bodie's direction, then waggled his eyebrows. Anson, ever quick on the uptake, blinked in confusion until McCabe pointed at Bodie, then out the window. The light switching on in Anson's brain was almost visible, but then it was a dim bulb.
The mysterious message limped around the room. Anson kicked Jax under the table, Jax threw beer nuts at Stuart's head, and Stuart hissed at Lake who proved to be the weak link.
"I was just scratching it!" Lake exclaimed defensively as he extracted the finger from his nose.
Bodie found himself the center of attention. Although he had adjusted early in life to the fact that he was indeed the center of the universe, it wasn't often the lesser beings realized their subservient status.
Bodie's honestly worried about the reception he'll get from Doyle because Bodie didn't do what good partners do: he didn't let Doyle in on the bet, but left him with the lechers for two whole days while he went on an easy op and drank wine in Paris with Cowley:
This was ridiculous. He had survived--barely--Doyle's diatribes before. What made the impending one so daunting was the fact that he deserved it. Partners in CI5 protected each other from danger and other CI5 agents.
He had chosen to say goodbye to Monica before jetting off to Paris instead of sneaking back and letting Doyle in on the joke. He had let his partner down. The least he could do was be a man about it.
So Bodie braves up and goes out to meet his partner. But Doyle is a smart fellow, as we all know. Amazingly perceptive:
"You bastard." Doyle's breathy whisper blew across his lips.
A trap! His (Bodie's) heart hammered.
"Stuart writes poetry, Bodie. Very bad poetry." Doyle grabbed a fistful of cowl neck and twisted. "He rhymed Ray and lay."
"Ray, I've b--" The grip tightened.
"Masters was considerate enough to bring me a book. 'Hot Boy Holes for Sale'. Ever read it?"
"R--" His vision started to blur.
"Where was my partner during all of this?"
"Par--" To hell with being a man about it. "Hospital. Just got out." He was starting to black out. "Can't breathe." He sucked in a huge breath when the relentless grip eased.
"You'll need a hospital when I'm done with you." Doyle shoved him away. "We've spent enough time on this street. Let's go."
So the story progresses wonderfully. The writing is excellent, witty, hot and smutty, and so much fun that I'll leave you all to read on your own because I'd just post the entire thing right here. Here's a taste:
There was no other word for it. He was being kissed by a man. Panic gripped him, or was that Doyle's hand?
I can't help myself. I have to share these lines:
Fucking was like flying, he finally decided. Once you were in the air, it didn't matter if you were in a helicopter or a plane. The approach angles and the instrument panels were different, but everything was controlled by the stick.
And Bodie was a frequent flyer.
I laughed as hard the third time I read this story as the first. The ending is amazingly well done, very cute, and Bodie is so funny. He's very much in character through the entire thing. This Doyle was one of the best I've read. Definitely like I'd picture him if he were undercover and then sussed out what was going on. I think all of the men are written very well, and I could easily hear every exchange. I give this story a big A plus. I can't think of a thing I didn't like about it. One of my very favourites and well worth multiple readings to bring a huge smile to your face.
Okay, I do have one thing. I admit, it could have used a Brit beta. I'm still learning in Pros, but even I saw the glaring American spellings. I often wonder why something that simple isn't fixed in a Pros story. I don't think being published back in the 80s is a very good excuse to not edit. I can't tell you how many zines I have that didn't bother fixing the spelling to British. To me, it's a simple detail that should be taken care of by any editor who's putting out a zine in whatever country/universe the story is placed in. There might be a valid reason not to use the proper spellings for any show or movie. I see it a lot in Sentinel, with the British and Australia writers who use their local language. But that being said, this is a great story. (I almost changed the spellings in the quotes I used when I spell-checked, but I resisted.*g*)
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Date: 2009-06-18 08:35 pm (UTC)It was great to read another amusing fic. I'm glad you quoted that line about Bodie, she has great fun with his sense of superiority, although I don't think he's exactly in character but exaggerated for humorous effect.
I love obbos and operations and other agents, so the ingredients were there. Also a bit of depth with the sub-plot of a posh, gay Murphy.
Hence I really enjoyed this up to a point, about half way through, when Bodie returned from Paris. At that point it became overdone, made me feel quite queazy. There were too many agents, too much mess, too much fondling or whatever of Doyle - it just left a bad taste. I really felt sorry for Doyle, out there on the street looking so put upon, no longer able to do the undercover job he was there to do, even if he was characteristically angry inside and rightly took it out on Bodie.
I really couldn't believe the other agents would do that to him, or that Bodie would leave him undefended, or that they would all seemingly forget the purpose of the obbo.
Have to admit I read this very quickly, so this is just my impression. Closer reading might change my view. Clever ending, too, I agree.
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Date: 2009-06-18 08:41 pm (UTC)no subject
Date: 2009-06-18 10:43 pm (UTC)On *that* basis, I shouldn't be so critical.
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Date: 2009-06-18 10:48 pm (UTC)I appreciate your stopping in for a cup of tea anyway. I spent hours making biscuits.
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Date: 2009-06-19 05:47 pm (UTC)no subject
Date: 2009-06-18 09:26 pm (UTC)Ah hell, it's a cute little piece-o-fluff, and I love the stuffin' out of it.
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Date: 2009-06-18 10:04 pm (UTC)no subject
Date: 2009-06-18 10:21 pm (UTC)Its all various devious, amusing and satisfying - after all, our boys do end up together in a very satisfying (for them and us) way.
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Date: 2009-06-18 10:28 pm (UTC)no subject
Date: 2009-06-18 10:35 pm (UTC)no subject
Date: 2009-06-19 12:32 am (UTC)Nice enough while you are reading it, but I wouldn’t read it again.
Yes it’s funny, but one single joke that needs so much declaration, - and empty talking and talking and bedding and bedding... The fellow agents are toooo many and and you can barely distinguish them. It’s a problem of the show that there are not really good constant minor characters, and if an author uses them in a story he/she should take some time to 'animate' them.
And the rent boy story? I like that normally... But there are better ones like Undercover by Elessar and esp. Rent Boy by Elizabeth Holden.
Now I wonder if a 'funny story' works for me in Pros. I LOVE funny moments and subtle remarks and ping pong dialogues between the lads, also good exaggerations – maybe to play a bit with their macho image... – but a whole, 34 pages story that is supposed to be 'funny'... I don’t know!
I think I prefer the funny moments 'in between', to calm down a bit and to aggravate the dangerous or emotional parts.
But your rec was very well done!
Thank you! Another 'must read' off the list. ;-)
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Date: 2009-06-19 01:12 am (UTC)no subject
Date: 2009-06-19 07:23 am (UTC)The one thing that drives me mad about this story though, and the only reason I can't give it 100% thumbs up, is that it's at least half American all the way through! It's almost more annoying because she's got some things beautifully Brit, but then she throws in something that is so absolutely purely American that I'm hearing the lads in American accents suddenly - and it's pretty obvious stuff, that would surely have been obvious to a Brit-picker, like a fifth of scotch in the fifth line of the story.
There are little glitches too, "the block" which is so common as to be almost unnoticeable now, but also Well, I'm not staying up in that room for no hour. - "for no hour" in McCabe's accent? Nope, he just turned American on me - and that happens again and again, so that I'm reading along happily with a grin on my face, and then... bam, Doyle is American again... "You sure are running hot and cold".
It's the really obvious ones that are so frustrating, because the rest of the story is so good. Well, there are places where it could have done with a beta as well as a Brit-check, but... And yeah, I know you're not going to notice them if you're not a native-Brit, and it's a long-debated phenomenon etc etc, but... That's how it affects me...
I manage to love it anyway, mind, the set up is just funny. *g*
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Date: 2009-06-19 10:46 am (UTC)I do agree with you about the Brit speak. I was thinking about it when I was doing the review, knowing that if I saw the misspellings easily, then I was sure I was missing the obvious only-American type phrases. So for me, it's almost better since I don't realise those since I'm American.
I'll give the writer more of a pass pre-net days than today since we all know today one can have a story checked easily, whereas back then, it was a little harder.
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Date: 2009-06-19 11:00 am (UTC)It's interesting to see who was around, when, and wonder when they interacted with who, and so on too. Reading various letterzines and seeing what's published in various zines suggests that there were contacts between American and British fans, for instance, back in the eighties. I wonder when the idea of Brit-checking was introduced? How widespread was it between friends in the eighties, or letterzine-circles, or whether people just didn't even think of it? (These aren't questions directed at you, by the way, I know it's not something you were around in Pros for! *g*)
We all know Cowley'd kill all his agents before he'd let them sit around, smoking and playing cards, betting away.
See I think even that's reasonably realistic - actually most of the agents there are the end are off-duty and only there for fun, it's made pretty clear that there are only ever supposed to be two agents on duty, watching Doyle. And guys are happy to spend time on something that's turning out to be a bit of a laugh... *g*
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Date: 2009-06-19 11:10 am (UTC)no subject
Date: 2009-06-19 11:20 am (UTC)I think in "real life", it would be a huge distraction for the operation, something they'd not do even on off-duty hours.
Yeah, but in real life people (even police/government agents) are people too - they don't always behave perfectly, they let the moment distract them. I mean, in perfect (wishfully real) life Bodie should never have let his girlfriend leave her key in the latch, Doyle should never have left his flat unlocked, Bodie would have had his RT with him, Bodie should never have called in "sick" so that Doyle had to cover his stakeout, they should never have taken Barry Martin with them on an op, Doyle should never have accosted Jax in Klansmen... etc etc. Bodie talks about drinking on duty, although Doyle tells him he'd end up with a bullet in his crankcase... But in fact they both do it, and Cowley positively encourages it - in a perfect world that wouldn't be allowed either... But I bet all those things happen now and then in real life too... That's what I like about Pros too, it's not afraid of showing us that the agents are human, and fuck up now and then - that sometimes it's more luck than anything else that keeps them alive and gets them the villains in the end - or not, as is often the case, again just as in real life... *g*
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Date: 2009-06-19 06:48 pm (UTC)no subject
Date: 2009-06-19 07:42 pm (UTC)I get a bubble of mirth growing inside me right from that wonderful description of Doyle touting for custom with the comment 'Doyle was good at his job - a concept too complicated for his fellow agents' - which is a dead giveaway on how seriously one should take this story, as in - not at all! I thought the characterisation of the various agents was great - I loved the turn of phrase like 'an expression of deep cunning spread across McCabe's face...'
And the climactic scene when Bodie returns from Paris!! That is pure farce, the ratcheting up of the just possible into the wildly unlikely... And then Murphy's reaction to Bodie's return! See, it's making me chuckle even now, in memory.
I don't normally like fanfic that sets out to me 'humourous', because it usually does so by ruining the charcters of one or the other of the lads - 'Blood of the Lamb' is a case in point. But this somehow keeps them recognisably Bodie and Doyle - not the Bodie and Doyle of (can I say reality?? Erm... how about canon. yeah, that works.) canon, but still somehow, essentially, Bodie and Doyle.
The only things that does take the shine off are, as
HUGE fun. Thank you for the rec!
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Date: 2009-06-19 07:59 pm (UTC)no subject
Date: 2009-06-20 09:13 am (UTC)no subject
Date: 2009-06-20 10:35 am (UTC)no subject
Date: 2009-06-20 11:11 am (UTC)Me too! And I'm kind of glad that even authors do it! :-)
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Date: 2009-06-19 07:56 pm (UTC)"Suck me, Doyle, suck me," Lucas mimed, fanning himself with his cards and fluttering his eyebrows while Stuart flicked his tongue and produced obscene slurping sounds.
I thought the whole idea was a good one and carried out well by the author and I thought she rounded off the story with some very believable characterisations (for all the ci5 men).
Yup. I liked it a lot! Thanks for the rec.
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Date: 2009-06-19 08:01 pm (UTC)Thank you! *passes tea tray*
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Date: 2009-06-19 08:05 pm (UTC)I'm on the wine at the moment but I'll help myself to some tea in a minute....(make that a few minutes)
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Date: 2009-06-20 04:03 pm (UTC)I've come to the conclusion that this is part of the historical charm of these things, and I'm trying not to bitch about it anymore. *g*. Yes, it is easier said than done. Because clearly the Brit check was not standard procedure back in the 80s. And, equally clearly, if I let myself focus on it, a lot of the early stories will be spoiled for me.
Frankly, I'm so freaking picky it's hard enough to find stories that suit -- even now when Brit checks are taken for granted. And I guess if I had to choose between good writing and great characterization over flawless Britspeak, I'd have to go with with good writing and great characterization every time.
And if I can find both...I'm a fan for life.
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Date: 2009-06-20 06:17 pm (UTC)Thanks for commenting.
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Date: 2009-06-21 02:34 pm (UTC)True enough. I get impatient myself when I see something contemporary where no effort has been made. I mean, the fun of the whole thing is recapturing and developing what we see on the screen, so part of that is definitely going to be the Britishness of it.
Thanks for commenting.
I always hate it when I have to miss one of the discussions.
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Date: 2009-06-20 09:25 pm (UTC)That's all from me folks. *bow*
I think I've read this one a hundred times, and I never tire of it. *happy sigh*
Thanx for recing and writing about it! :D
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Date: 2009-06-21 12:50 pm (UTC)But anyway, this is good fun. Thank you! *makes fresh tea*
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Date: 2009-06-21 02:36 pm (UTC)How did you accidentally read a death fic?!
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Date: 2009-06-21 02:41 pm (UTC)no subject
Date: 2009-06-21 02:59 pm (UTC)TRUST NO ONE. *g*
Okay, that's just me. Some people enjoy death fics. I am death to death fics. Although I do enjoy them when they're badly written. There's just nothing funnier.
Sorry that happened to you.
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Date: 2009-06-21 03:56 pm (UTC)Or if there is an 'afterlife'! :-)
But for me it's the same. When I stumble over a real death fic I need days to forget it, yes - to recover!
But that's an old discussion... Damn!
TRUST NO ONE. *g*
It's a shame!
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Date: 2009-06-22 04:28 pm (UTC)Or if there is an 'afterlife'! :-)
I just read one of those. What a HOOT.
But for me it's the same. When I stumble over a real death fic I need days to forget it, yes - to recover!
But that's an old discussion... Damn!
Yes. And I understand the argument for them, I just...it doesn't work for me. Which is fine. Everything can't work for everyone.
TRUST NO ONE. *g*
It's a shame!
True.
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Date: 2009-06-21 02:39 pm (UTC)*sit down and join you, bringing some cookies and swiss roll*
(and I wanna know too. How did you happen to read a death fic? *hugs you*)
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Date: 2009-06-21 02:47 pm (UTC)I explained above, on another list, warnings aren't necessary. We're doing a challenge and it was a very short piece, but really powerful. I was totally bummed out. I'm okay now. It was a couple of days ago, but death fic really bother me. I'm a wuss, I admit. But thank you for the hug!
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Date: 2009-06-21 02:51 pm (UTC)Lucky it was a short one...
And I too... I'm a total wuss. I just can't read them. *shudder*
Since I read a MFU death fic... I'm still shaky because of that one. And that was over 7 years ago. *dead*
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Date: 2009-06-21 09:29 pm (UTC)Death of Bodie or Doyle is one thing I really hate to read, if there was a warning I would avoid it no matter what. On the other hand, I loved a short fic by hambelandjemima ?last year about older lads at a funeral, which was a great tease because it looked as though Doyle was dead, but near the end it was revealed as someone else's funeral. That was naturally very cheering.
But to return to this fic, good idea to have a cheering one as an antidote to an upsetting fic (unless you want to be in a morose, comtemplative mood, of course).
Generally I like humorous Pros fic and think it should be encouraged. I really liked this one, except the large chunk in the middle as I explained before.
Any biscuits left?
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Date: 2009-06-21 09:34 pm (UTC)It was an S&H story, very sweet actually, and well done, yet it haunted me for several days. Sometimes a writer does it so well that it stabs you in the heart.
Yeah, a bit of smut or a humourous fic like this one is a good balm.
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Date: 2009-06-21 09:50 pm (UTC)Love the biscuits, delicious, thank you.
BTW I have to decide whether to take a break for this week, or recc a fic myself - and I have not a clue what I would recc but I'd be open to suggestions for something short. Could i trouble you for an idea?
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Date: 2009-06-21 10:08 pm (UTC)Something short and that I love: Holding Back The Flood by Lacey McBain: http://www.thecircuitarchive.com/tca/archive/14/holdingback.html
or
very short that I adore: Amid the Noise and Haste by Callisto:
http://www.thecircuitarchive.com/tca/archive/16/amidthe.html
If you want something that might spark a bit more ah, controversy, but it's a bit longer you could try Rough Ride by Caroline Dare:
http://web.archive.org/web/20030817033542/http://www.ravenswing.com/bic/prison/misc/rough_ride.html
If nothing else, that might spark another good suggestion.
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Date: 2009-06-21 10:54 pm (UTC)The only one I know is Holding Back the Flood, which is so ravishingly gorgeous. I'll have a quick look at the others, and something by Callisto would be good. But Holding Back the Flood would also fit the bill as a present-tense fic, which is a genre I've wanted to see.
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Date: 2009-06-21 10:55 pm (UTC)no subject
Date: 2009-06-22 05:07 pm (UTC)Yeah, I love humorous too! :D
I think I'll have to write one soon.. ;P
Ofc there is.. sit down and join us!! :D *hugs*